Life in progress

A is for … About

41 Comments

“I’m writing a novel,” I say, with trepidation.

“Really?” they reply. “What’s it about?”

“Well, it’s about a girl who leaves home and meets a magician.”

“Oh. That sounds … nice.”

“But his family has this deep dark secret.”

(Best case scenario.) Their eyebrows lift a notch. “That sounds intriguing!”

(What usually happens because I lost them after the word ‘magician.’) “What? I was paying attention to something else.”

Explaining what your story is about can be the most difficult thing. From what I’ve discovered by experience, it’s even harder than writing a blurb – because at least with a blurb, if someone is going to bother reading it, they’ve probably committed themselves mentally to paying attention to at least two sentences – one more than you’ve got to grab them with in conversation.

Trying to explain what I do, off the top of my head, is never easy. I don’t have a natural gift for talking about myself. That’s why I write. And so I’m thinking that this may be one of the major reasons that it’s not a good idea to talk about being an author at all.

Before I do, however, publish my novel, I’ll be sure to write myself a sentence which I will recite verbatim whenever anyone asks.

For the short fiction that goes with this post, please visit my fiction blog here: A is for … Aarin, the Topless Pirate.

Unknown's avatar

Author: Linda G. Hill

There's a writer in here, clawing her way out.

41 thoughts on “A is for … About

  1. Rebeccah Giltrow's avatar

    I really don’t like it when people ask what my books are about. I almost feel like I have to justify to them why I’ve written about a certain subject. I know we should be proud of our work, but that is one of the toughest questions to answer.

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  2. kelworthfiles's avatar

    Hey Linda! Yeah, it can be hard figuring out what my story’s about, never mind explaining it to somebody else. One useful tip for the one-sentence rundown is Holly Lisle’s PACTS acronym:
    Protagonist: your main character.
    Antagonist: who or what is keeping the protagonist from getting what they want.
    Conflict: What the protagonist and antagonist want and why they can’t both get their way.
    Twist: What happens in this conflict that you weren’t expecting?
    Setting: Where is all this happening?

    It takes some doing, but you can usually squeeze all five of those into a single sentence without it rambling on and on.

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  3. 0hmyword's avatar

    Perfect. I’m so insecure in being honest about the fact that I like to write, that I avoid it like the plague. You’ve summed up that awkward realisation upon the face of your audience when it manages to slip out. So, I’m careful not to spill anymore.
    I’m visiting from A-Z challenge, you’re close to my number on the list. Nice to “meet” you.

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    • Linda G. Hill's avatar

      It’s very rare that I’ll tell anyone I haven’t known for half a year or more. Strangers? Never. 😛

      Nice to meet you too! I’ll come over and check out your A-Z 😀

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  4. Allison's avatar

    I like your idea of writing it out first. It’s like having that “elevator pitch” of your book in your back pocket! (In one of my recent posts, I mentioned that I tend to look “mildly constipated” when people ask me what my book is about…so if you can avoid *that* look, then you’re doing just fine! 😉 )

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  5. suzjones's avatar

    I like your idea of a sentence to use. I generally lose people when I say “I’m writing a book about depression”.

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  6. melissajanda's avatar

    I feel the same way! It’s like I’m telling a joke and can’t remember the punch line. I see their interest waning when I haven’t summarized it adequately in a sentence or two so I avoid talking about it with friends. I’ve recently discovered loglines and have found studying those to be helpful in summarizing my story. I’m doing an A to Z post on it for the “L” day (obviously).

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    • Linda G. Hill's avatar

      I’ll look forward to that! 🙂

      Avoiding the subject altogether certainly seems to be the safest. Let them read the book. 🙂

      Thanks very much for your comment, Melissa! 🙂

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  7. Paul Davis's avatar

    BAHAHA! Omg Linda. So I love your opening sentences for the Topless Pirate. Bounced. And they kept bouncing. And I was admittedly a little flustered 😉 Though…the end? I think I’m going to keep my mind where I think the story was going. 😛

    For what your novel is about, apparently the big thing is compare it to something out there, give some buzz words, make them feel something. Feeling something under the loin cloth is apparently preferable. So awesome job on that with the topless pirate.

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  8. http://theenglishprofessoratlarge.com's avatar

    Don’t tell them. A writer writes and does not verbalize the story to people who won’t understand it. Show, don’t tell. Verbalizing the story before it is finished slows down your process. Either don’t tell them you’re writing a book, or say you haven’t worked out the plot as yet.

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  9. LAMarcom's avatar

    Christopher Marlowe: “The Massacre of Paris”.
    William Shakespeare: Good title.
    Christopher Marlowe: Yours?
    William Shakespeare: “Romeo and Ethel the Pirate’s Daughter”. – Oh, yes, I know, I know.
    Christopher Marlowe: What is the story?
    William Shakespeare: Well, there’s this pirate. – In truth I have not written a word.
    –Shakespeare in Love

    (Only) One of my Favorite scenes.

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  10. Ariel Hudnall's avatar

    I guess it’s just hard for fantasy to be taken seriously, because it happens in a realm where “anything” can happen, and often does. I like that this post did not go in the direction I thought it was going when I read the title! See you tomorrow!

    Alex Hurst, fantasy author in Japan, participating in Blogging A-Z April Challenge.

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  11. Charles Yallowitz's avatar

    I get that same reaction once the listener realizes I’m talking about fantasy.

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