You’re lining up to cash out at the grocery store. There’s a guy in his mid-twenties behind you and a woman in front of you. The woman is arguing with a child who wants a chocolate bar. You think to yourself, just buy it and shut the kid up. The guy behind you says as much under his breath but loud enough for you to hear. Which one of these people do you relate to? If you actually thought, just buy it… then it’s the guy behind you. On the surface you are in cahoots. But if you’re a parent, you probably thought, that poor woman, and chances are you relate to her on a deeper level. Why? Because you probably share experiences.

I’m going to go out on a limb here and say that the things which connect us as human beings are that which we relate to when we read a book. The more we can relate, and get into the mind of the protagonist or even the antagonist, the more we’ll enjoy the novel.

Back to my scenario at the beginning. Assuming you’re a parent, you can probably understand on some level what it’s like to have a child who, at one time or another, acted out. Yes, there are people out there with perfectly behaved children in public. Perhaps they only go out on days that the sun shines. I have no idea. But not to belabor the point, let’s go instead to the guy standing behind you. If you agreed with him then you can relate, but only to a point. His situation and his attitude aren’t as obvious as the harried mother’s. But that doesn’t mean you can’t write a book he’d be interested in reading. It probably wouldn’t have children in it. Then again, the mother’s ideal novel probably wouldn’t either. She’s looking for an escape.

So is the solution to never put kids into your novels? Maybe. Or maybe you just need to think about who is going to relate to your characters–their lives and their emotions–to find your target audience.

 

Things are coming to a head in the story of Jupiter and Xavier! Have a read – just click here: http://lindaghillfiction.wordpress.com/2014/04/23/t-is-for-the-tux/