Life in progress

Category Archives: Opinion


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L is for … Let It Rest

This is Linda, coming to you today from a moment in time where all I want to do is rest. That’s life. And that’s what this blog, and the theme of this challenge is all about here on “Life In Progress” – life and how writing fits naturally into it. So that’s the “life” part of today’s topic. Now for the writing part.

The experts suggest that when an author writes a novel, he or she should let it rest. Depending on who the expert is will depend on the time frame of the resting period, but most say at least a month. Why is this a good idea?

We get attached to our words. We read them after they are first written wearing rose-coloured glasses, and it’s not until we’ve stopped reading them for a while and then go back to them that we realise how dirty those glasses were. I wrote my first novel, Trixie in a Box, during 2004’s NaNoWriMo. The manuscript has been sitting under my bed, communing with dust bunnies ever since. I took it out last year, thinking it might be a good idea to polish it and e-publish it ahead of my epic The Great Dagmaru, on which I’m currently working. However, three paragraphs into Trixie I was struck hard by how awful it is and it quickly rejoined the dust bunnies. I still believe in the story, but the prose is of fanfic quality – which makes sense since that’s what I was writing a lot of at the time.

Nine years is a long time to allow a manuscript to sit; I’m not recommending it. But to let your work sit for, say, as long as it takes to successfully complete a grammar course isn’t a bad idea. Failing that, the simple practice of daily writing can help significantly, as can reading the works of a good author.  I can’t emphasize enough that it must be a GOOD author – someone you aspire to be just like. I tend to pick up the habits and to an extent, the style, of whomever I am reading, whether it’s E.L. James or Stephen King, the former of which is a scarier prospect than the latter.

I know how tempting it is when a story is finished to just publish it – I do it here on WordPress all the time. But for something I want to be remembered for, I’m going to take all the time it needs (not I need) to get it right.

 

For the latest in A-Z fiction, click here: http://lindaghillfiction.wordpress.com/2014/04/14/l-is-for-let-it-go/

 


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K is for … K, Where Did It Go?

I lose things all the time. I can have something in my hand one minute and the next it’s gone. Disappeared. Like gremlins took it for fun. The idea for this post actually came about when I was looking for my thesaurus so I could look up a good word to use for my “K” post. Can you tell I didn’t find the thesaurus?

What I did find, however, was an idea for a post. I got to thinking, whilst searching, about how the minutiae of life could fit in to a story. For the most part, it doesn’t. It’s rare that we read about in a book or see in a movie a character searching for something they can’t find, having aches and pains, or even going to the bathroom, unless it’s important to the plot.

Then I took my idea one step further – what if something as small as life’s pesky little problems became the plot? It could work, right? It didn’t take me long to realize, it already had!

Where did I drop that damned ring?

Wow, that’s one hell of a belly ache – oh look, an alien!

Next time you need to plot a story, think about the last thing that got on your nerves. Then run with it. At the very least, you may get a blog post out of it.

 

For the continuing saga of Jupiter and Xavier, and the dastardly Bob, click here: http://lindaghillfiction.wordpress.com/2014/04/12/k-is-for-knock-knock/

 


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G is for … Greatness

Ah, the dream. I write, I edit, I send my baby out to agents and publishers who will surely snap it up and make it an instant bestseller, and that’s when the fame and fortune starts rolling in.

Suddenly I can’t walk down the street without someone approaching me to ask for and autograph. Actors are calling me at my unlisted number to beg for a juicy part in the upcoming movie based on my book. Life is grand.

But wait. Is it? Is it really?

You want me to do what? Travel around the country doing book-store appearances? Living out of a hotel? Interviews on public television? And… public readings? I can’t read in front of an audience! I was happy sitting in my room behind my computer, half in the can with a bottle of wine! Quick! Somebody grab me my Haagen-Dazs and a spoon. I’m going to hide in the closet!

Is this you? Or is it just me? Because seriously, as much as the money would be nice, it’s not as though I can quit my job and go on the road. My kids are my job – they’re not quittable. I’ve never wanted fame. And I’m sure I’m not the most introverted person on the planet who chose to sit and write books. But does it necessarily have to be part of the package when a novel gets noticed?

I found this on Facebook this morning:

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and it really rings true.

It’s a lot to think about. Are you ready?

 

 
Admittedly, today’s fiction has nothing to do with today’s topic; it’s a day I wouldn’t have otherwise written anything over there. So here it is, the continuation of the A-Z Fiction Story: http://lindaghillfiction.wordpress.com/2014/04/08/g-is-for-great-balls/ Enjoy!


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Wicked Appetite by Janet Evanovich – a Review

Wicked Appetite (Lizzy & Diesel #1)Wicked Appetite by Janet Evanovich
My rating: 4 of 5 stars

Having never read a Janet Evanovich novel before, I ventured into Wicked Appetite with no expectations. I was pleasantly surprised at the humour and the easy way it reads.

Once I got past the suspension of disbelief one must hold in order to fully enjoy this story, I couldn’t put it down. The witty, funny and entertaining conversation between the characters was a delight to read, and the fact that I never knew what was coming next kept me enthralled right to the very end.

I would highly recommend this book for the lover of fantasy/romance fiction. I can’t wait to pick up the next in the series!

View all my reviews


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E is for … Experience

They say, ‘write what you know,’ but does that mean if you’re not an astronaut, you can’t write about astronauts? Okay, maybe it helps, but that’s what research is for. Personally, I take the rule of, ‘write what you know’ a little more loosely than that.

Take, for instance, yesterday’s post where I used the example, ‘The steamy kitchen reeked like a wet cat,’ when showing what better detail looked like. Had anyone asked me what a wet cat smells like, I would have had to tell them that I honestly have no idea. I’ve never owned a cat, let alone a wet one. In other words, I think it’s the details where our experience really comes in handy.

Having said that, not all things can really be described. 99.9% of us have had at least a sip of water, but can you describe the taste? And take, for instance, what it’s like to urinate. We’ve all (100% of us this time I think) done it, but if I’m writing from the point of view of a male, I’m unable to accurately describe the action of doing so standing up. Does that mean I shouldn’t write from the male perspective? Again, research comes in handy. I can ask other people (preferably male ones) to tell me what it’s like, but I still won’t have had the experience. And so I’ll probably never write a story in which my male character is dealing with bladder issues. Either that or, like the wet cat, I’ll get good at faking it.

My novel takes place in a real city: Kingston, Ontario, Canada. I don’t live there, but I’ve been there many times, and thought I knew the place well enough to be able to set a story there. Said story written, I decided to take the time to vacation there for a few days by myself, to really do some research, and I was amazed at what I gleaned. Because my characters get off the train there at the beginning of the novel, the station was one of my obvious places to visit. I sat to wait for the westbound train and whist there, noted the colours of the waiting room seats, the landscape outside – even the way the doors worked. When the train stopped I watched to see which track it was on, so I knew my characters would disembark on the nearside of the station rather than having to take the underground passage to get across. All of this will come to perhaps a sentence or two in the novel, but I believe it will add to the feel, as well as have the people who live in Kingston nodding in agreement when they read my book. I could never have accomplished this from information I took from Wikipedia; I had to experience it for myself.

Other life experiences from my past also often manage to creep into my stories. What comes through most vividly for my characters to experience are the wonders of nature I have had the gift of being part of.  There’s nothing quite like the quiet of a country field on a snowy night, or the singing of cicadas on a sweltering summer afternoon. These are the things that make fiction come to life. Real life.

Can you tell when something is contrived in a story?

 

For today’s A-Z Fiction, please click here: http://lindaghillfiction.wordpress.com/2014/04/05/e-is-for-elementary-dear-jupiter/


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D is for … Detail

I’ve bemoaned, before, the difficulty I’m having in trying to cut down the length of my manuscript whilst keeping the important little details intact – and at the same time making it readable.  In a much broader sense than the idiom perhaps implies, the devil is in the details.

From http://www.usingenglish.com/reference/idioms/devil+is+in+the+detail.html – “When people say that the devil in the detail, they mean that small things in plans and schemes that are often overlooked can cause serious problems later on.”

After letting my ex read the beginning of my novel a couple of weeks ago, I know now that my problems are indeed serious. When we were together he was not only my sounding board, he was the one I wrote to impress, and impress him I did with the details I put into my stories. He told me that they were what drew him in, placed him in the story so that he could feel as though it was going on around him. Two weeks ago, however, the first criticism he gave me was, “Where’s the detail?” I knew I was screwed.

While you might want to scream at me, “He’s your ex, Linda! Of course he’s going to criticize!”, I know he wants me to succeed – and I’m sure it has absolutely NOTHING to do with the fact that if I make millions off this book he won’t have to pay child support. Heh.

So what is detail, and how am I to know the extent to which I should go to add it? I personally don’t like to read a book where every nook and cranny is described; every piece of clothing, or each hair that is blown out of place. I think the most important details are the ones that stimulate the senses.  They say the sense of smell brings the most vivid memories to mind, yet ironically it’s the one I most often forget, and have to insert into a scene after it’s written.

For me, the most efficient way to add detail is to eliminate the passive voice. Just one example and I’ll leave it there – the rest I’ll save for my fiction post.

It was hot and smelly in the kitchen.

vs

The steamy kitchen reeked of wet cat. What were they cooking?

The detail adds to the word count. And yet which would you rather spend time reading?

We’ve discussed it here in the past and the general consensus seemed to be that most people would rather read a longer well-written book than a shorter one that sucked. I agree. It’s why I read Stephen King.

What I’d love to know today is, what kinds of detail do you enjoy? Do you want to know what every character looks like or would you rather use your own imagination? Do you want to know what they’re wearing down to the designer, or is a pair of starched jeans enough to tell you that they go to way too much trouble with their laundry?

 

After you’ve commented, please visit my fiction blog for today’s A-Z installment, to see what I’ve done to demonstrate today’s topic! Find it here: http://lindaghillfiction.wordpress.com/2014/04/04/d-is-for-devil-in-the-details/

Thanks!

 


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C is for … Critique

There’s nothing like a good critique of your work, is there? But how do you go about getting it?

Long, long ago–maybe about two years (I have a short attention span)–I was afraid to share my words with the world. I was scared that someone would steal my stories, and so I was hesitant to allow anyone to read them. When I did finally break down to hand my manuscripts to people to read, I limited the exposure to friends and family. The drawback is that typically all I received in feedback was, “That was nice!” or “I liked it!” which is great, except it doesn’t help. I wanted to know what was wrong with it. I know now that my first manuscript sucks as far as style and grammar go, but still, the only feedback I’ve ever received is positive.

The solution must be to give my manuscripts to people who will dissect them.  Pull them apart, tear the words to shreds and hand them back to me in a green garbage bag to put back together. Still, for fear of seeming mean, unless I’m paying someone to do it, it’s difficult to find somebody with that sort of gumption.  But I’m guilty of the same thing! I fully acknowledge that critiquing is a difficult task. Telling someone what they’ve spent the last year bleeding from the soul on needs a complete overhaul is painful for everyone. And believe me, I’ve wanted to tell authors that their hard work sucks dusty ping-pong balls, yet I either found it difficult or avoided it altogether.

Is it better to leave the job to a professional? Or do you ask those who have an emotional attachment to the task? Personally, I say pay for that whipping, baby! It’ll probably make you a better writer.

 

 For the short fiction that goes with this post, please visit my fiction blog here: C is for … Can’t Get No Satisfaction.

 


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B is for … Blogging and the Writer

It’s the on-again, off-again, great blogging debate: why do writers have blogs? In my own experience, my reasoning has evolved, and in a very satisfying way.

At the same time I discovered WordPress, I was told that if I wanted to write and get my name ‘out there,’ I should start a blog. The scariest part was deciding to use my real name; then came deciding what to actually write about. While that particular choice hasn’t evolved much, what I have found as the biggest surprise, is the community here. I got my name out all right – but I hardly have publishers knocking on my door.

There are many different reasons for a writer to blog. My personal favourites are; to build an audience for that eventual bestseller; to keep in the practice of writing, especially while editing; and the best one of all: to have easy access and a (good) excuse to procrastinate, rather than edit the above-mentioned eventual bestseller.

I suppose if I do ever get off my butt and start sending out queries to magazines and the like, I may be able to use this blog as a sample of my work. We all have to start somewhere, and it’s really the age-old question – what do you put on a resume when you have no previous experience? Well, here’s my experience right here. But again, am I just using the blog to procrastinate?

One way or another, the very best part of this whole blogging experience is the wonderful people here on WordPress. Even if I never make it to the bestseller lists, I will always have this great community of people who are as dedicated to writing (and art and photography) as I am.  If I’ve gained anything, it’s the valuable insight and fantastic friendships – and I’m meeting more people every day. What could be better?

It would be interesting to know if your reasons for blogging are the same now as they were when you started.  Are you as surprised as I am at the support you’ve gained here? I know without it, I may just have fizzled out by now – both as a blogger and as a novelist with an erstwhile eventual bestseller.

For the short fiction that goes with this post, please visit my fiction blog here: B is for … Bob the Blogger.

 

 


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A is for … About

“I’m writing a novel,” I say, with trepidation.

“Really?” they reply. “What’s it about?”

“Well, it’s about a girl who leaves home and meets a magician.”

“Oh. That sounds … nice.”

“But his family has this deep dark secret.”

(Best case scenario.) Their eyebrows lift a notch. “That sounds intriguing!”

(What usually happens because I lost them after the word ‘magician.’) “What? I was paying attention to something else.”

Explaining what your story is about can be the most difficult thing. From what I’ve discovered by experience, it’s even harder than writing a blurb – because at least with a blurb, if someone is going to bother reading it, they’ve probably committed themselves mentally to paying attention to at least two sentences – one more than you’ve got to grab them with in conversation.

Trying to explain what I do, off the top of my head, is never easy. I don’t have a natural gift for talking about myself. That’s why I write. And so I’m thinking that this may be one of the major reasons that it’s not a good idea to talk about being an author at all.

Before I do, however, publish my novel, I’ll be sure to write myself a sentence which I will recite verbatim whenever anyone asks.

For the short fiction that goes with this post, please visit my fiction blog here: A is for … Aarin, the Topless Pirate.


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Communication is Fragile

I had a dream last night in which I traveled back in time, to the ’70s I believe, to speak to high school girls about what it would be like, in the future, to be able to communicate from anywhere. You’d think I’d have had a cell phone in my hand. But that’s not what I had.

In my dream I was carrying a piece of paper. It was like a receipt and it had words and numbers written on it. Strangely enough I remember having to go to a payphone to use it… but what purpose the paper served is beyond me. It was a dream.

When I woke up, however, it left me wondering about the fragility of communication. The paper was nothing but symbolic. What if I lost it? (The piece of paper or the ability to communicate – you decide.) What if I suddenly couldn’t read it because it got damaged? How much did it cost to obtain it? It was a receipt, after all.

Then I started thinking, what if I had five minutes to tell everyone I loved everything I needed to tell them? Could I be succinct? I think that’s the one positive thing the language of texting has provided us with… a shorthand. And it’s such a personal thing as well. Only if I’m in a hurry will I spell ‘you,’ ‘u,’ and everyone close to me knows this, and so I am communicating two things at once.

But what if we could all speak the way the great authors write? To be able to communicate a feeling – ‘All the world’s a stage…’ What if stuff like that just rolled off our tongues as easily as we wrote it? What if we could put real body language and facial expressions into our emails? Speaking from the perspective of someone who actually CAN communicate in two languages simultaneously (spoken English and American Sign Language), it would be wonderful indeed.

And yet do I feel as though, if I had five minutes left in this world to say everything I wanted to, I’m afraid I’d be at a loss for words.