Life in progress


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One-Liner Wednesday – A Quote

“If you focus on what you’ve left behind, you will never be able to see what lies ahead.”
-Gusteau, from the movie Ratatouille


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T is for … Target Audience

You’re lining up to cash out at the grocery store. There’s a guy in his mid-twenties behind you and a woman in front of you. The woman is arguing with a child who wants a chocolate bar. You think to yourself, just buy it and shut the kid up. The guy behind you says as much under his breath but loud enough for you to hear. Which one of these people do you relate to? If you actually thought, just buy it… then it’s the guy behind you. On the surface you are in cahoots. But if you’re a parent, you probably thought, that poor woman, and chances are you relate to her on a deeper level. Why? Because you probably share experiences.

I’m going to go out on a limb here and say that the things which connect us as human beings are that which we relate to when we read a book. The more we can relate, and get into the mind of the protagonist or even the antagonist, the more we’ll enjoy the novel.

Back to my scenario at the beginning. Assuming you’re a parent, you can probably understand on some level what it’s like to have a child who, at one time or another, acted out. Yes, there are people out there with perfectly behaved children in public. Perhaps they only go out on days that the sun shines. I have no idea. But not to belabor the point, let’s go instead to the guy standing behind you. If you agreed with him then you can relate, but only to a point. His situation and his attitude aren’t as obvious as the harried mother’s. But that doesn’t mean you can’t write a book he’d be interested in reading. It probably wouldn’t have children in it. Then again, the mother’s ideal novel probably wouldn’t either. She’s looking for an escape.

So is the solution to never put kids into your novels? Maybe. Or maybe you just need to think about who is going to relate to your characters–their lives and their emotions–to find your target audience.

 

Things are coming to a head in the story of Jupiter and Xavier! Have a read – just click here: http://lindaghillfiction.wordpress.com/2014/04/23/t-is-for-the-tux/


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Chaos

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There’s something about this photo that feels chaotic to me. The tangle of branches; the dead leaves from last fall, hanging on precariously even as the new spring growth pushes out from the winter’s dormant branches. The century old brick a backdrop for yet another spring – another dawning year. Even the drops of rain suspended on delicate branches, waiting to fall, to nourish the earth from which the tree thrives add to the pandemonium.

I wonder which will outlive the other: the tree, or the house?

Do you sense the chaos? Is it just me?


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S is for … Survey – Fictional Characters

The first arguably most difficult thing about creating characters, is avoiding writing about yourself. This argument is based on the fact that you know no one better. Your experiences, tastes, and even your most used expressions are bound to creep in – sometimes you don’t even realize it.

The second arguably most difficult thing about creating characters is making them believable. It’s easy to write a one-dimensional character. So we write back stories, which may or may not show up in the final cut. But how detailed are those back stories? And how rounded do they make your characters?

The difficulty I find in writing a back story is that it tends to be about the big stuff. When I’m writing one, I’m looking for what motivates my characters to do what they do. Because a character with no motivation is the worst kind of cookie-cutter character. So I go back to their childhoods to discover what made them who they are. What are the huge events that shaped them into the person my readers will see when I plop them down in my story and ask them to react?

It’s not just the big things that shape who we are in real life though, is it? It might be where we were when someone else’s big event happened. It might be a piece of music we heard. Any number of trivial things make us who we are. And it’s those little things that make people care about us. Truly care. Which is another MAJOR if not the most MAJOR thing in keeping a reader reading our story.

With this in mind, I came up with an idea. What about those stupid surveys you see all over facebook and the like, which teenagers love to fill out? I looked one up. My mind was blown. This is only one of thousands: https://www.facebook.com/note.php?note_id=50193333157 so if you don’t like the questions here, google “100 question survey facebook.” If I answered only a third of the questions on this survey, from the perspective of my characters when they were teenagers, I would know everything I could possibly want to know in order to create the best characters I can come up with. Because the problem with writing just a back story, is the lack of spontaneously coming up with your characters quirks, opinions, and thoughts. Why? Again, because your own seep in.

As soon as I have the time, I will take this survey for at least four of my novel’s characters–two main, and two supporting. I honestly believe this is the golden key to rounding out their lives, and making my readers–and myself–care about them and what happens to them.

Do it. And really put some thought into it. Remember what it was like to be a teenager, when all of these questions mattered. Then let your character’s experiences seep in to your story and not your own. I can almost guarantee that it will give you a better story.

 

Stranger things have happened! Or have they? Click here to go to my fiction blog and see: http://lindaghillfiction.wordpress.com/2014/04/22/s-is-for-serendipity/


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R is for … Real Life Villains

There’s a contest going on at a local radio station at the moment to promote the concert and to give away tickets for the band Wheatus. You might remember them – they sang the song “Teenage Dirtbag.”

(great video)

To win the tickets you must write about your own experience with a dirtbag and send your story in to the station. This got me to thinking (as things do) about how one doesn’t really need to resort to watching “Criminal Minds” to find a villain for their story. Most of us, if not all, know people in real life who would make perfect villains. All that’s required is to amp up their faults either a little or a lot.

Take the jock in the video, for instance. He pisses off his girlfriend when he throws something at the nerd. Bullies like this are everywhere – not just at school.

True story: A couple of years ago, my mother was in the parking lot of the local mall when she grazed another car going around a corner. She was supposed to meet up with me inside the mall that day, and she didn’t know what to do, so she came to find me. Someone, meanwhile, witnessed the accident and wrote two notes; one they left on my mom’s windshield and the other on the windshield of the person she hit. I don’t remember exactly how it went down, but I contacted the owner of the damaged car. Luckily, I didn’t let my mother deal with the asshole.

He told me he wouldn’t put in a police report if I would agree to pay for his repairs. I said fine – it wasn’t much damage.  He was going to get it fixed right away. When it was done, he called me to say it would be $300. This is how it went from there:

Me: Okay just send me the receipt for the repair.

Him: No.

Me: I’m not giving you any money unless I see the bill.

Him: Don’t you trust me?

Me: (thinking, no  I don’t)  It’s not that I don’t trust you, I just want it for my records.

Him: What do you need the receipt for – are you a bookkeeper or something?

Me: Yes I am.

Him: Well maybe I’ll just call the police. You don’t want this to go on your mom’s record, do you?

Me: Not really, but I still want the receipt.

Him: (getting angry) Look, I’m giving you a deal here. You should be paying me more than $300 for my inconvenience. I had to go without my car for two days. Doesn’t my time mean anything to you?

Me: No.

I hung up on him and took my mother to the police station to report the accident. Her insurance paid for her damage and his paid for his. And that was that.

Classic bully. What a villain he would make.

Have you crossed paths with a villain? Please share your experience in the comments!

 

For the continuing saga of Jupiter, Xavier, and the gang, click here: http://lindaghillfiction.wordpress.com/2014/04/21/r-is-for-rumours/


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If I Just Had… Stream of Consciousness Saturday (Just)

I hear people say all the time, “If I just had,” this or that, then I’d be happy. Today, if I just had a moment without stress I’d be able to think about what I want to write! That’s what SoCS is for though, right? Just start writing and publish whatever comes out.

So I’m sitting here with my laptop on my lap, on the couch, while my mother tries to avoid Alex, who is bound and determined to terrorize her in any way he can.

Stress doesn’t even cover it. Doesn’t begin.

I hate whining though. Whenever I get on here and I write a blog post that sounds like I’m complaining, I delete it. But I can’t do that today. So here, you see a rare blog post from me where I’m actually bitching about things going on in my life. It’s like spotting a rare bird in a tree. Quick! Take a picture!

That happened to me the other day, actually. I heard the cardinal before I found it – I wouldn’t have been looking for it otherwise. It sat singing at the top of a tall tree, brilliantly red. I got my camera out of  my pocket to take a picture, not sure I could zoom in enough to get the shot, but it flew away as I was pushing the zoom button. So, you don’t have a picture of that not-so-rare bird.

Things are quiet. This is the stupidest post I’ve ever written. I need to do my laundry.

 

This post is part of SoCS: https://lindaghill.wordpress.com/2014/04/18/the-friday-reminder-and-prompt-for-socs-april-1914/


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Q is for … Quagmire

One of the best and the worst things in writing fiction is to get your characters into a situation that’s difficult to get out of. It  creates a quagmire not only for them, but for you, the author. There’s nothing quite like the moment when you figure out how to release them from an impossible situation. There’s nothing better for your readers than not being able to figure out where the story is going. It makes them want to keep reading. It’s the goal of the author to create such an irresistible environment.

But what if you’ve put your characters into a place that’s so boggy that the only way to get them out is for something convenient to happen? They’re adrift at sea and the sharks are circling… oh look! It’s a helicopter! That sort of thing just doesn’t fly (pardon) with most readers.

Do you keep trying to come up with a way out? Or do you start again, and put them into an easier situation? Personally I hate giving up on these sorts of difficulties. Because the solution, when it comes to me, is one of the best feelings in the world.

Giggity.

 

For your convenience, a quick link to see how the problems are adding up in my A-Z fiction, here:  http://lindaghillfiction.wordpress.com/2014/04/19/q-is-for-quest-for-harry/


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The Friday Reminder and Prompt for SoCS April 19/14

I’d like to wish everyone a Happy Good Friday and present you with this week’s Stream of Consciousness Saturday prompt. According to Wikipedia, “Stream-of-consciousness writing is usually regarded as a special form of interior monologue and is characterized by associative leaps in thought and lack of punctuation.” While you might want to hang on to your punctuation, (you can even add more if you’d like) the great part of this literary form is not having to stick to the subject or, like with an essay, come to a conclusion on your initial statement. Just go with the flow!

This week, the prompt is “Just.” Take whichever definition of the word you’d like to and run with it.

After you’ve written your Saturday post tomorrow, please link it here at the prompt page in the comments so others can find it and see your awesome Stream of Consciousness post!

Here are the rules:

1. Your post must be stream of consciousness writing, meaning no editing, (typos can be fixed) and minimal planning on what you’re going to write.

2. Your post can be as long or as short as you want it to be. One sentence – one thousand words. Fact, fiction, poetry – it doesn’t matter. Just let the words carry you along until you’re ready to stop.

3. There will be a prompt every week. I will post the prompt here on my blog on Friday, along with a reminder for you to join in. The prompt will be one random thing, but it will not be a subject. For instance, I will not say “Write about dogs”; the prompt will be more like, “Make your first sentence a question,” or “Begin with the word ‘The’.”

4. Ping back! It’s important, so that I and other people will come and read your post! The way to ping back, is to just copy and paste the URL of my post somewhere on your post. Then your URL will show up in my comments, for everyone to see. For example, in your post you can copy and paste the following: “This post is part of SoCS: https://lindaghill.wordpress.com/2014/04/18/the-friday-reminder-and-prompt-for-socs-april-1914/” The most recent pingbacks will be found at the top.

5. Read at least one other person’s blog who has linked back their post. Even better, read everyone’s! If you’re the first person to link back, you can check back later, or go to the previous week, by following my category, “Stream of Consciousness Saturday,” which you’ll find right below the “Like” button on my post.

6. Copy and paste the rules (if you’d like to) in your post. The more people who join in, the more new bloggers you’ll meet and the bigger your community will get!

7. Have fun!


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P is for … Predictability

The subtle art of foreshadowing takes skill – some may say great skill – for if it’s done without, a work of fiction can be fatally predictable. After all, who wants to read or watch something when it’s painfully obvious exactly how the story will conclude?

For me, there’s nothing better than a story with a twist. Being strung along to believe one thing to find out that what I thought was true never was is part of the art of foreshadowing. It can be done well (The Sixth Sense) in which case the foreshadowing was so subtle as to not be there, or it can be done wrong. Maybe you can come up with a good example. They tend to be the most forgettable stories out there.

I’m hoping to get some kind of twist out of the fiction A-Z story I’m writing alongside this. If you’re reading it, I hope you’ll stick around to the end to let me know how I did. In the meantime, I’m looking for any accidental foreshadowing that already exists, since I had no idea where the story was going as I began it. I think I have an idea now.

How much predictability is too much for you? I’m wondering if there’s anyone out there who likes to know the end before they get there.

A bit of a twist, for you: http://lindaghillfiction.wordpress.com/2014/04/18/p-is-for-peppered-to-taste/


27 Comments

N is for … News

I got to thinking about time periods in fiction and how certain events, depending on how close to the story line they happen, can be a dead giveaway for when the story takes place. This can be tricky when writing a piece that takes place in the future. For instance George Orwell’s 1984 or Arthur C. Clarke’s 2001: A Space Odyssey – both major works of art in literature, and yet now that we know better they tend to lose a miniscule amount of merit.

It can be even worse if the story takes place in the present, because what might be huge news today, unless it’s a major event, might be a non-issue in the future when your readers are reading it. How about this blast from the past: The L.A. Times announces McDonald’s big news! Read all about it!

My novel takes place in about the present – meaning I don’t really know. In trying to get the days of the week straight with the date, I put it about two years ago, but then again, I’m not sure anyone will really notice but me. But it’s difficult not to put some kind of time frame on a story. My characters obviously won’t be going to a Michael Jackson concert, nor will they be taking the next shuttle to the moon. These kinds of events place my story in the approximate now. They do, however, go to see Aerosmith, unless I write that scene out in the edits. What if, by the time my novel is published Aerosmith stops touring altogether? This will stick my novel in the past, whether I like it or not.

News can also be extremely inspiring, and sometimes it’s tempting to want to write current events into a story. It can even creep in when you’re least expecting it, in my experience anyway. How? Because some point in time everything is news, and there’s someone out there who is bound to remember it AS news, and by that I mean they’re going to remember when it happened.

Unless your story is fantasy–even more so than Lord of the Rings, which was based on World War II–there’s no getting around a time frame in the real world. It’s a tricky thing.

Illustrative fiction is this way –> http://lindaghillfiction.wordpress.com/2014/04/16/n-is-for-nexus/