Being someone who gets most of their inspiration from watching people and trying to imagine why they do the things they do (see photo), I’m finding it difficult to write anything new these days. What with summer vacation and the fact that I’m trying to save money for the trips I want to take, it’s hard to get out of the house, even for a little while. You might say, ‘Just take your kids out with you!’ but that doesn’t work when you’ve got an autistic teenager who’s bigger than you and has definite opinions on what he wants to do with his day, none of which involve leaving the house.
I suppose I could watch TV. *gasp* But whatever I see there has already been done, hasn’t it?
I should probably count my blessings. As long as I’m not finding inspiration to write something new it means I can work on editing my novel. The going is frustrating on that front as well. The re-write I’m currently working on (a section that I’m not pleased with) requires me to fully get into character. That’s difficult when you’ve either got someone looking over your shoulder asking, ‘What are you doing?’ or simply being interrupted every ten minutes.
Oh, shut up whining, Linda!
Needless to say I’m looking forward to my weekend trip next week. I plan to view the house in which I’m staying through the eyes of the girl my main character brings home with him. Her fascination will be my path to detail.
As for finding inspiration, who knows? On top of a fresh perspective on my major work, I may have time to find inspiration for a number of other things as well. I certainly won’t be sitting in my room the whole time I’m gone. Such freedom is a rarity for a single mom, especially during summer vacation.
According to a blog post I read here at Brainsnorts the most important part about opening a novel is the first four sentences. So I decided to go to my bookshelf and pick up four novels at random and check it out, to see if there’s anything the first few sentences have in common in each book. These were my selections:
Standing Stones – The Best stories of John Metcalf
“Single Gents Only” (a short story)
After David had again wrested the heavy suitcase from his father’s obstinately polite grip and after he’d bought the ticket and assured his mother he wouldn’t lose it, the three of them stood in the echoing booking hall of the railway station. His mother was wearing a hat that looked like a pink felt Christmas pudding.
David knew that they appeared to others as obvious characters from a church-basement play. His father was trying to project affability or benevolence by moving his head in an almost imperceptible nodding motion while gazing with seeming approval at a Bovril advertisement.
This seems to me like a promising story. There is movement in it in the form of the fact that these people are going somewhere. The fact that the son takes the suitcase from his father tells me that he’s an adult. I want to know where they’re going. The description is good enough that I can imagine the scene easily.
The Marks of Cain by Tom Knox
Simon Quinn was listening to a young man describe how he’d sliced off his own thumb.
“And that,” said the man, “was the beginning of the end. I mean, cutting off your thumb, with a knife, that’s not nothing, is it? That’s serious shit. Cutting your own thumb off. Fucked my bowling.”
Okay, that was more than four sentences, but they were short ones. Shoot me. This opening is interesting. It doesn’t have much in the area of description, but how much description do we need? We can easily imagine the blood involved. Who is the man to Simon and why is he listening to such a horrific story? I want to know more.
It wasn’t a very likely place for disappearances, at least at first glance. Mrs. Baird’s was like a thousand other Highland bed-and-breakfast establishments in 1945; clean and quiet, with fading floral wallpaper, gleaming floors, and a coin-operated hot-water geyser in the lavatory. Mrs. Baird herself was squat and easygoing, and made no objection to Frank lining her tiny rose-sprigged parlor with the dozens of books and paper with which he always traveled.
I met Mrs. Baird in the front hall on my way out.
This opens very nicely indeed. The description is lush and from it we gather that Mrs. Baird is not going to be a central character, as we don’t get her first name from the narrator. Best of all, the very first sentence tells us that something mysterious will happen! Again, I want to read more!
I stare up through gaps in the sea-grass parasol at the bluest of skies, summer blue, Mediterranean blue, with a contented sigh. Christian is beside me, stretched out on a sun lounge. My husband – my hot, beautiful husband, shirtless and in cut-off jeans – is reading a book predicting the collapse of the Western banking system. By all accounts, it’s a page-turner.
Here we have two shades of blue and a good-looking man reading a boring book.
So. What do three of these openings have in common? Amazing descriptiveness, movement, action and/or gore and some element which makes us want to know more. What’s going to happen? Who are these people? Why are they; 1. in a train station; 2. cutting off their own thumbs; 3. staying in a place where someone is going to disappear?
And number 4? It tells us what not to do. By all accounts, it’s a page-turner. 😉
Thank you again to Brainsnorts for the idea for this post!
In each of us the idea of it is cradled, warm and glowing. It’s something we wish for, something we strive for, something we hope to behold and to create. For each of us there is a singular nuance that we recognize and when we see it, or hear it, touch it, taste it or even smell it we know. It lights up a part of our brain like nothing else can.
It is beauty.
It moves us, it inspires us. It comes in so many forms. I remember once, I had taken an overnight flight from England back home so I had been up all day the day before and because of the time change and having to look after my kids… let’s just say I was exhausted. In this state, I was in the car for some reason and the song ‘Comfortably Numb’ came on the radio. I sat and listened to the entire thing. It wasn’t until the guitar solo at the end when I started to bawl my eyes out, positive that it was the most beautiful thing I had ever heard in my life. …at least since I saw Pink Floyd live so many years before that.
How do you describe something that, to you, is so beautiful that it makes you cry? By giving it life. Like the gritty, piercing of David Gilmour’s guitar crawling up the back of my neck and wrapping me in a warm blanket of pure, ear-splitting devastation.
By giving an inanimate object a soul we can not only describe what we see but how it makes us feel.
Sakura
I see a delicate cherry blossom, known only to spring. It signifies both the brilliance and the swiftness of life and all its glory, for it comes and goes, so very quickly.
Beauty can be defined in so many different ways. For some of us it is in a face, in the sound of children’s laughter. For some it is home and the aroma of freshly baked cookies or the comfort of a roaring fire on a cold winter night. For some it is the exquisite line, where pain and ecstasy meet – the drop of blood, the single tear shed for love.
Beauty is one of only many things that move us, that make us want to write or to articulate our emotions in other ways. To be able to elicit in others the emotion that comes from our deepest most precious place where we know things such as beauty is a gift. It’s one that I hope to practice and somehow, perfect.
Why is it that the harder you look for inspiration the less likely it is you’ll find it? I think that’s what separates the wanna be writers from the actual writers. ‘Wanna’ just doesn’t cut it.
Today I want to write. Okay yes, I was inspired to write this, but could I come up with an idea for a story? Not a chance.
Distractions don’t help. Which is why I get antsy when I know I have to entertain people – even my kids. Don’t get me wrong, I love my kids more than anything. But writing isn’t just a past-time for me, it’s a need. Particularly when I do get inspired by something. But today it’s the worst of both worlds.