Life in progress


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SoCS & #JusJoJan the 14th – Once upon a time

Once upon a time … You’d think this would be easy for me, wouldn’t you?

I tell stories all the time.

And yet, every single time I write one, I ask myself, Is this autobiographical? Am I writing about me?

I don’t want to write about me when I write fiction, so I try to steer away from it.

But I think it’s a common thing for writers to wonder. How else can we write aside from relaying what we’ve observed about the world? And how much of those things, those experiences, has seeped in to make us who we are?

GAH!

I didn’t want to get philosophical with this.

Who came up with this prompt anyway?!?

Oh.

I did.

***

This cozy post is brought to you by SoCS and Just Jot it January. Click the link to see how you, too, can join in! It’s fun! https://lindaghill.com/2023/01/13/the-friday-reminder-for-socs-jusjojan-2023-daily-prompt-jan-14th/

 

2019-2020 SoCS Badge by Shelley! https://www.quaintrevival.com/


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Bamboo Patience

I’ve just read a fascinating article (which is always dangerous) and I went and generalized it (which is always entirely justifiable… maybe not) and made it about me (which… come on, I’m a blogger, what do you expect).

An article about bamboo.

I’m not a gardener. In fact, if the word “gardener” has a polar opposite, then I’m that. (Blighter? Destroyer of things green? Seriously, you should see my front yard. By which I mean, my front collection of weeds.) But through the whimsy of the internet, I found myself reading this article about bamboo farmers and success. It’s worth five minutes of your time, but here’s the quickly-generalized, me-centric summation of the article.

Bamboo is one of the fastest-growing plants on the planet. It grows so quickly and so prolifically, and is so incredibly strong (it has a tensile strength close to that of steel) that it seems miraculous. Some species can grow as much as three feet in 24 hours. (I picture the analogue of my son sprouting up to my height overnight and it gives me the shivering willies.) Yet many people who try to grow bamboo get frustrated and give up and never see it achieve that growth, because the first five years of the seeds’ growth is entirely underground.

Imagine it.

  • Day one, plant a seed.
  • Day two, water, check for growth, nothing.
  • Day three, water, check for growth, nothing.
  • Day four, water, check for growth, nothing.
  • Day five, water, check for growth, nothing.

Wash, rinse, repeat, until …

  • Day 1828, water, check for growth, nothing.
  • Day 1829, water, check for growth, nothing.
  • Day 1830, water, HOLY SHARKNADO THERE’S A FOREST OF BAMBOO IN MY BACKYARD.

That’s a heck of a lot of days, a heck of a lot of faith, and an ungodly amount of patience and tenacity: an untold amount of time spent doing a simple but time-consuming thing (watering the plant every day) with not an ounce of feedback that the thing you’re doing is useful, worthwhile, or even productive in any way. For all you know, on day seven the seeds died and turned to dust in the ground, and you might very well be wasting your time. But if you don’t keep working, the seeds will definitely wither and crumble.

And this is a little like writing, innit? Or maybe a lot like writing. Actually, make it a metaphor for whatever you like, but I think it’s particularly fitted for writing. Because we writers do our work underground. We have the inspiration to write and plant that seed deep in the loamy earth of our minds. We enclose ourselves in our batcaves, our secret chambers, our dark enclosures isolated from all human contact, and the words spill out of us like so much irrigation on the soil of our precious ideas. For days, weeks, months we toil in quiet and fear and clandestine hope that our pet projects, our favorite characters, our brilliant plot lines, will take root and spring forth, filling the world with color and the sweet scent of our inspiration … but we have no idea if it’s going to happen. Whether that field of bamboo represents simply getting published, or penning a bestseller, or even just finishing a draft, the finish line can feel so far away it might as well not even exist.

We see the bamboo fields that have sprung up in other authors’ backyards, and that gives us hope–I could have that, too!–but it simultaneously fills us with doubt–will it happen for me? And we don’t have a master gardener standing over our shoulder, telling us to keep our heads down, keep watering the seeds, keep fertilizing the soil, and all will be well. We don’t even have that five-year guarantee that bamboo has. For some, it may happen faster: they’ll have a backyard full of bamboo in the space of a year or two. For others, it may take longer: their garden may take a decade or more to sprout. For still others it may never happen.

But regardless of the speed at which the garden grows, I think any gardener will tell you that it’s not all about the end result. Sure, the rows of tomatoes and the baskets full of roses are the ideal, but even without them, the work is not a total loss. Because the work is therapeutic. Kneeling in the soil, breathing the unprocessed air of the outdoors, feeling the sun on your back, working your fingers in the dirt, plucking the weeds… the work means something in its own right. Likewise, forcing the words onto the page, exploring the characters, designing new plot lines… it means something. Yes, it’s about making the seeds grow, but throughout the process, you learn, you grow. And then, on day 1831, whether your bamboo has pierced through the ground striving for the sky or not, you come back ready to water it again. And again. And again.

Trust in the knowledge that the work matters, whether the bamboo grows or not. You have to be your own feedback. You have to fling your vision forward into the future and visualize those steely shoots springing out of the ground now, starting today, and let that vision sustain you, because the fruits of your labor are just going to be invisible until they happen.

Trust in the bamboo. Keep watering.

Thanks to Linda for allowing me to guest post while she’s out. For more drivel like this, check out my homepage over at Pavorisms.


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Party Crasher Pav

Greetings from Pavorisms.

Starting in a few days, your regularly scheduled operator will be unavailable for a couple of weeks, and she wanted to leave some of her regular features in capable hands to make sure you felt warm and snuggly knowing that your regular Stream of Consciousness Saturday posts would go uninterrupted.

But we all make mistakes in life, and she picked me as one of the stand-ins. You’ll be getting a prompt from me in a couple of weeks, and if things really go sideways, you may end up seeing some of my regular content here as well. If that happens, I recommend you just keep your head down. I can’t guarantee that there won’t be baby bodily fluids involved. I, uh… I brought a tarp. I left it somewhere around here. Just huddle up and make a friend, okay?

Am I qualified to stand in at a writing blog with a readership far beyond my normal, tiny circle? Here’s the skinny: When I was in high school I wrote prolifically. Awful short stories, horrible poetry, a really ill-advised novel, and a play that was maybe not so terrible. Then I stopped. I don’t know why. I think I knew my writing was about as appealing as a pile of badger droppings and decided I’d do the world a favor and stop dropping those little nuggets.

Then, in college, I picked it up again. This time, I stuck to plays, and I wrote a pretty good one and a handful of not-so-bad ones. A couple of them saw production at high schools and community theaters, and though I never made a dime off any of them, they convinced me that maybe I wasn’t entirely devoid of talent. But then I stopped again. Probably that badger droppings feel again, possibly the disillusionment with my chosen field of study, likely a total lack of confidence.

A few years have passed, now, and something inspired me to pick up the pen again. Starting in March of this year, I began the transcontinental trek of adapting my pretty good play into a full length novel, and peppered that with an (almost) weekly short story and a heck of a lot of reflection about writing and parenting and running, all of which I do with dogged regularity. Something clicked, and now I can’t stop. As a result, I’ve got a manuscript of about 96,000 words (yeah, I get a little obsessed with word-count) that I’m waist-deep in editing, and, oh, probably about 150,000 words of drivel not unlike what you’re currently reading over at my blog, Pavorisms. (If you’re curious about what I tongue-in-cheekly refer to as my capital “W” Writing, you can find my collection of short stories there as well.) In short, it’s been a productive year. (Whether or not any of what I’ve “produced” qualifies as readable, entertaining, or fit to print on toilet paper remains to be seen. I mean, badgers “produce” poop, as we’ve already established.)

So, uh, am I qualified to be here standing in for Linda? Meh, maybe not, but as Jules said in Pulp Fiction, “I’m tryin’ real hard to be the shepherd.” I don’t know what herding sheep has to do with the current situation, but it’s Samuel L. Jackson speaking there, and we all know you don’t fargo with that motherfargoer.

At any rate, I’ll be providing you with a prompt at next week’s end and maybe a few tidbits besides. In the meantime, if you felt like heading my way and giving me a read, that’d be super, too.

And, of course, my thanks to Linda for handing me the keys to the car while you’re out. I promise that I will kick it into reverse when I’m done with it and run all the miles back off before you get home. Don’t worry about the dents in the chrome, those will buff right out. Also, I don’t know anything about the scratches on the side panels, the crack in the windshield, or the bits of gore in the grille.

In fact, let’s just pretend I was never here.